SAVE US FROM THE ABYSS OF HUMAN DEGRADATION

2010
Dimension Variable
T5, Wood, Acrylic, Sand, Audio
BeiFeng Gallery, Taipei, Taiwan

I KNOW YOUR DEEPEST SECRET FEARS

2010
Dimension Variable
T5, Concrete, Sand, Mirror, Audio
DMY, Berlin, Germany

ON THIS SIDE OR THE OTHER

2011
Dimension Variable
T5, Smoke Machine, Audio
'Ecole Café, Taipei Taiwan / Taipei Artist Village, Taipei Taiwan

THOSE WHO CAME AND THOSE WHO LEFT

2011
90x150x180
T5, Wood, Mirror, Audio
Rue Française by MISS CHINA, Paris, France

LA DISPARITION

2011
Dimension Variable
LED, Acrylic, Wood, Foliage, Fabric
TIFA 2011, Experimental Theater, Taipei, Taiwan

I KNOW REMEMBER THE FUTURE

2014
90x50x210
T5, Wood, Acrylic, Construction Aggregate, Foliage, Audio
Treasure Hill Artist Village, Taipei, Taiwan
 

SIXTEEN STONES

2014
Dimension Variable
LED, Wood, Acrylic, Construction Aggregate, Audio
Treasure Hill Artist Village, Taipei, Taiwan

白(-)卵 or The fragile mourning of everlasting purity

2017
Dimensions variables
Mixed media
TAIWAN DESIGN MUSEUM, Taipei, Taiwan

“The present was an egg laid by the past that had the future inside its shell.” - Z.N. Hurston

The color “without color”, the organic vessel, symbol of potential life and Creation determines and records on its canvas the transformation of all other stimuli.

Where everything is contained and the possibilities infinite, when the end and the beginning merge, the resurrection hatches.

 白(-)卵或者永恆純凈的脆弱哀悼

2017
綜合媒材,尺寸多變
松山文創台灣設計館,台北,台灣

 「現在是一個蛋,由過去所生而殼中蘊藏著未來。」- Z.N.赫斯頓 

色中無色,乘載無限,光中無光,象徵創造與生命可能性的源頭起點。如同一幅空白畫布,容納觸發所傳達的轉變歷程。

當這一處什麼都包涵,可能性無窮盡; 當這一時終點和起點和而為一,復活即將誕生。探索了卵與白之為物的象徵意義,如日常生活中生與死的可複製器皿。

(黃鶯慧 譯)